Drop the Sax Alto icon onto the canvas and the plot immediately marks an acoustic source that needs a condenser, a boom, and phantom power. That is the difference between a drawing a crew can build from and a sketch they have to interpret.
Add it, label it, and save the plot. The next time this band books, the layout is already done.
Put it where it will really stand, not where it is convenient to draw. Horn sections sit in a shallow arc upstage of the front line. Bowed strings sit seated, usually stage left, with enough clearance for bow arms. Stageplot Pro keeps every icon to scale, so the spacing you draw is the spacing the crew builds.
The detail that saves a phone call. Confirm phantom power availability on the console. Condenser channels fail silently when it is switched off, which wastes soundcheck time.
Sax Alto produces one channel on the input list, defaulting to a Condenser input, a boom stand and 48V phantom power switched on. It sorts at position 7 in the drums first, vocals last channel order that front of house engineers expect. Change any of it per plot; the default just means you rarely have to.
Because the input list is generated rather than typed, it exports straight to console: X32 and M32 scene files, Wing scenes, and CSV channel names for the Allen and Heath, DiGiCo, and Yamaha families. See the console guides.
More Strings & Wind
38 icons share the Strings & Wind section of the palette. These are the ones most often placed alongside Sax Alto.
Marks an acoustic source that needs a condenser, a boom, and phantom power is only part of the picture. These icons come from Mics, Music Stands and People, the sections that most often appear on the same drawing.
