The EVH 5150III + 4x12 icon tells the production team that this amplifier is part of the show. On the plot it shows which cabinet is arriving and which side of the stage it lives on, which is information the venue needs long before the truck arrives.
Place it, rotate it, and give it a label that matches the language your crew already uses. The export keeps all of it.
Stage position is the thing that gets argued about at load in, so it is worth drawing accurately. Backline sits upstage, angled slightly inward so the player hears it without firing straight into an open vocal mic. Leave a working gap behind the cabinet for the mic stand and the cable. If the room forces a compromise, move the icon and export again. A fresh PDF is cheap; an argument at load in is not.
One thing worth writing down. Say whether the amp travels with the band or comes from the house. Backline rental decisions get made off this drawing, so an unlabelled cabinet becomes a phone call.
EVH 5150III + 4x12 produces one channel on the input list, defaulting to a Dynamic input, a short boom stand and phantom power off. It sorts at position 3 in the drums first, vocals last channel order that front of house engineers expect. Change any of it per plot; the default just means you rarely have to.
Channel names travel with the plot. Export a scene file for an X32, M32, or Wing, or a channel name CSV for dLive, Avantis, SQ, DiGiCo, and Yamaha CL and QL. See the console guides.
More Amps
23 icons share the Amps section of the palette. These are the ones most often placed alongside EVH 5150III + 4x12.
Shows which cabinet is arriving and which side of the stage it lives on is only part of the picture. These icons come from Guitars, AC & DI and Monitors, the sections that most often appear on the same drawing.
