The Gtr Amp Fender icon tells the production team that this amplifier is part of the show. On the plot it shows which cabinet is arriving and which side of the stage it lives on, which is information the venue needs long before the truck arrives.
Place it, rotate it, and give it a label that matches the language your crew already uses. The export keeps all of it.
Stage position is the thing that gets argued about at load in, so it is worth drawing accurately. Backline sits upstage, angled slightly inward so the player hears it without firing straight into an open vocal mic. Leave a working gap behind the cabinet for the mic stand and the cable. If the room forces a compromise, move the icon and export again. A fresh PDF is cheap; an argument at load in is not.
One thing worth writing down. Say whether the amp travels with the band or comes from the house. Backline rental decisions get made off this drawing, so an unlabelled cabinet becomes a phone call.
Gtr Amp Fender produces one channel on the input list, defaulting to a Dynamic input, a short boom stand and phantom power off. It sorts at position 3 in the drums first, vocals last channel order that front of house engineers expect. Change any of it per plot; the default just means you rarely have to.
Because the input list is generated rather than typed, it exports straight to console: X32 and M32 scene files, Wing scenes, and CSV channel names for the Allen and Heath, DiGiCo, and Yamaha families. See the console guides.
More Amps
23 icons share the Amps section of the palette. These are the ones most often placed alongside Gtr Amp Fender.
Shows which cabinet is arriving and which side of the stage it lives on is only part of the picture. These icons come from Guitars, AC & DI and Monitors, the sections that most often appear on the same drawing.
