Put the Bass Amp Ampeg icon on the drawing and the amplifier stops being an assumption. It shows which cabinet is arriving and which side of the stage it lives on, so the crew can plan power, space, and access around it.
Drag it onto the canvas, resize it, rename the label, and it lands in the exported PDF exactly where you left it.
Where it sits on the deck changes how the rest of the plot reads. Backline sits upstage, angled slightly inward so the player hears it without firing straight into an open vocal mic. Leave a working gap behind the cabinet for the mic stand and the cable. Snap the icon to the grid and the distances stay believable on a printed page.
Say this part explicitly. Say whether the amp travels with the band or comes from the house. Backline rental decisions get made off this drawing, so an unlabelled cabinet becomes a phone call.
Bass Amp Ampeg produces one channel on the input list, defaulting to a Dynamic input, a short boom stand and phantom power off. It sorts at position 3 in the drums first, vocals last channel order that front of house engineers expect. Change any of it per plot; the default just means you rarely have to.
Channel names travel with the plot. Export a scene file for an X32, M32, or Wing, or a channel name CSV for dLive, Avantis, SQ, DiGiCo, and Yamaha CL and QL. See the console guides.
More Amps
23 icons share the Amps section of the palette. These are the ones most often placed alongside Bass Amp Ampeg.
Shows which cabinet is arriving and which side of the stage it lives on is only part of the picture. These icons come from Guitars, AC & DI and Monitors, the sections that most often appear on the same drawing.
