Drop the Sitar icon onto the canvas and the plot immediately marks a player position and the signal path that comes with it. That is the difference between a drawing a crew can build from and a sketch they have to interpret.
Add it, label it, and save the plot. The next time this band books, the layout is already done.
Put it where it will really stand, not where it is convenient to draw. Guitar positions sit downstage of the backline they use, angled in toward the drummer so the player can hold time by eye as well as by ear. Stageplot Pro keeps every icon to scale, so the spacing you draw is the spacing the crew builds.
The detail that saves a phone call. State whether guitars run through amps or straight to a DI. That single line decides roughly half the channel list.
Sitar produces one channel on the input list, defaulting to a Dynamic input, a boom stand and phantom power off. It sorts at position 4 in the drums first, vocals last channel order that front of house engineers expect. Change any of it per plot; the default just means you rarely have to.
The input list behind the plot exports as a Behringer X32 or Midas M32 scene file, a Behringer Wing scene, or CSV channel names for Allen and Heath dLive, Avantis, and SQ, DiGiCo, and Yamaha CL and QL desks. See the console guides.
More Guitars
17 icons share the Guitars section of the palette. These are the ones most often placed alongside Sitar.
Marks a player position and the signal path that comes with it is only part of the picture. These icons come from Amps, AC & DI and People, the sections that most often appear on the same drawing.
